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Диссертации

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Диссертации

  1. Арановский М. Кантиленная мелодика Прокофьева. Дис. канд. иск. – Л., 1967.
  2. Блок В.М., Метод творческой работы С. Прокофьева и некоторые проблемы организации композиторского труда (на материалах инструментального творчества). Дис. канд. иск. – М., 1973.
  3. Швидко Н.В., "Маддалена" Прокофьева и проблема становления его раннего оперного стиля. Автореф. дис. на соиск. учен. степ. канд. искусствоведения. – 1988.
  4. Бояринцева А.А. Камерно–инструментальные ансамбли С.Прокофьева. Проблема стиля. Дис. канд. иск. – Нижегородская гос. конс., Нижний Новгород, 2008.
  5. Булатова Е.Л. Скрипичные концерты Прокофьева. Проблемы интерпретации. Автореф. дис. на соиск. учен. степ. канд. искусствоведения. – М., 1991.
  6. Воленко С.Д. Музыкальные прообразы в раннем фортепианном творчестве С. Прокофьева. Автореф. дис. на соиск. учен. степ. канд. искусствоведения. – ВНИИ. М., 1991.
  7. Волков А.И. Варианты оперы "Война и мир" и некоторые проблемы оперной драматургии Прокофьева. Дис. канд. иск.  – М., 1971.
  8. Гаврилова В.С. Стилевые и драматургические особенности оперы С.С.Прокофьева „Огненный ангел“. Дис. канд. иск. – Ростовская гос. конс., Ростов на Дону, 2006.
  9. Григорян Л. Е. Ранние фортепианные сонаты С. С. Прокофьева. Проблемы интерпретации: автореф. дис.  – М., 1992. – 24 с.
  10. Данько Л. Г. «Дуэнья» и некоторые проблемы оперной драматургии С.Прокофьева. Дис. канд. иск.  – Л., 1964.
  11. Иванченко В.Г. Полифония в драматургии симфоний С. Прокофьева. Автореф. дис. на соиск. учен. степени канд. искусствоведения. – 1977.
  12. Калашникова А.В. С.Прокофьев и скифские мотивы в культуре Серебряного века.  Дис. канд. иск. – Нижегородская гос. конс., Нижний Новгород, 2008.
  13. Лобачева Н. А. Оперный театр С.С. Прокофьева на примере "Повести о настоящем человеке" и незавершенных замыслов 1940–х годов. Дис. канд. иск. – Моск. гос. консерватория им. П.И. Чайковского. – М., 2010. – 280 с.
  14. Павлинова В. П. Творческое формирование С. С. Прокофьева и художественные тенденции современности : автореф. дис. – М., 1991. – 24 с.
  15. Сабинина М. «Семен Котко» и проблемы оперной драматургии Прокофьева. Дис. канд. иск.  – М., 1962.
  16. Савкина Н. П. Становление оперного творчества С. С. Прокофьева (опера «Ундина» и «Маддлена». Автореф. дис. канд. искусствоведения –  М., 1989. – 24 с.
  17. Сафонова Т.В.  Творчество С.Прокофьева: анализ метафизической составляющей.  Дис. канд. иск. – Саратовская гос. конс.,  Саратов, 2010.
  18. Швидко Н.В., "Маддалена" Прокофьева и проблема становления его раннего оперного стиля. Автореф. дис. на соиск. учен. степ. канд. искусствоведения. – 1988.
  1. Ahn Young–Ho. A performer's analysis of Sonata No. 1 in C major, Op. 1, by Johannes Brahms and Sonata No. 2 in D minor, Op. 14, by Sergei Prokofiev. D.M.A., Southwestern Baptist Theological Seminary, 2000, 151 p. AAT 9991287.
  2.  An Won–Hee. Three cello sonatas after World War Two: Poulenc, Prokofiev, Carter by D.M.A., Boston University, 2007, 140 p. AAT 3259802.
  3. Ashley P.R. Prokofiev’s Piano Music: Line, Chord, Key (diss., Rochester U., 1963).
  4. Bartig K. Composing for the Red screen: Sergei Prokofiev's film music. Ph.D., The University of North Carolina at Chapel Hill, 2008, 356 p. AAT 3304317.
  5.  Bertram D. Prokofiev as modernist, 1907—1915. Ph.D., Yale University, 2000, 334 p. AAT 9991120.
  6. Brandon S.P. The Tuba: Its Use in Selected Orchestral Compositions of Stravinsky, Prokofiev, and Shostakovich. D.M.A.,  performance, Catholic Univ. of America, 1974. 144 p.
  7. Chang Ya–Liang. A study and performer's analysis of piano sonatas by Bela Bartok and Serge Prokofiev. D.M.A., University of Cincinnati, 2000, 112 p. AAT 9989334.
  8. Chapman Nyaho W.H. Cyclicism in the War Sonatas of Sergei Prokofiev. D.M.A., The University of Texas at Austin, 1990, 174 p. AAT 9116799
  9. Damon T. Lee. Between Two Worlds: Composing for the Concert Hall and the Silver Screen. The Works of Toru Takemitsu, Erich Wolfgang Korngold, Sergei Prokofiev, Alfred Schnittke, Dmitry Shostakovich. D.M.A. in Composition, Cornell University
  10. Evans R.K. The Early Songs of Sergei Prokofiev and their Relation to the Synthesis of the Arts in Russia 1890–1922. Ph.D., Music. Ohio State Univ., 1971. v, 296 p.
  11. Flaskend–Rathunell S.M. The Influence of Scriabin on Prokofiev’s Early Piano Works: op.1 through op.29. D.M.A., Arizona State University, 1990, 123 p.; AAT 9116736.
  12. Harter C. L. Phrase structure in Prokofiev's piano sonatas. Ph.D., The University of Connecticut, 2003, 214 p. AAT 3080917.
  13. Howell Ch. Multidisciplinary performance issues in Sergei Prokofiev's Trapeze. D.M.A., University of California, Los Angeles, 2007, 85 p. AAT 3295780.
  14. Hwang, Yun–Young. Prokofiev piano sonatas No.2, No.5, and No.8: Comparison and performance strategies. D.M.A., The Ohio State University, 2002, 129 p. AAT 3059186.
  15. Jensen K. B. Prokofiev's Sinfonia Concertante, Opus 125: An analysis and thematic comparison to the Concerto, Opus 58. D.M.A., Louisiana State University and Agricultural & Mechanical College, 1995, 82 p. AAT 9618301.
  16. Joukova E. The songs and song cycles of Sergey Prokofiev, (1930––1950)E. D.M.A., University of Illinois at Urbana–Champaign, 2007, 158 p. AAT 3301158.
  17.  Juang Shu–Fen. Variants of sonata form as seen in Alban Berg's Piano Sonata, Op. 1, and Sergei Prokofiev's Piano Sonata No. 3 in A minor, Op. 28. D.M.A., University of Miami, 2006, 91 p. AAT 3243121.
  18. Kaufman R.S. Expanded Tonality in the Late Chamber Works of Sergei Prokofiev. Ph.D., Theory, University of Kansas, 1987. xxi, 455 p. illus., tbls., mus. exs., bibliog
  19. Kim S. Perspectives on the symbiosis of traditional and modernist techniques in four violin compositions by Sergei Prokofiev. D.M.A., University of Cincinnati, 2010, 81 p. AAT 3419974.
  20. Landis S. The Soviet operas of Sergei Prokofiev: In search of socialist realism. Ph.D., Princeton University, 2007, 250 p. AAT 3255843.
  21. Liao Chiann–Yi. Trilogy: Prokofiev's "War Sonatas". A study on pianism diagnosis and performance practice. D.M.A., The Ohio State University, 1999, 143 p. AAT 9919884.
  22. Marks B. Sources of stylistic diversity in the early piano sets of Sergei Prokofiev. D.M.A., The University of Texas at Austin, 1994, 265 p. AAT 9428433.
  23. Martin R. The nine piano sonatas of Sergei Prokofiev. D.M.A., University of Kentucky, 1982, 118 p. AAT 8309066.
  24. Mathes J. R. Texture and Its Relation to Musical Structure as Evidenced in First Movements of Piano Sonatas of Prokofiev, Boulez, Sessions, and Barber. Ph.D., Theory, Florida State University, 1986.
  25. McAllister M.N. The Operas of Sergei Prokofiev. Ph.D., Music.  Cambridge University, 1970.
  26. Minturn N. B. An integral approach to the music of Sergei Prokofiev using tonal and set theoretic analytical techniques. Ph.D., Yale University, 1988, 258 p. AAT 9009462.
  27. Moellering S. Visions Fugitives, Opus 22: Insights into Sergei Prokofiev's compositional vision by D.M.A., The University of  Nebraska – Lincoln, 2007, 75 p. AAT 3262189.
  28. Morrison S. Sergei Prokofiev's "Semyon Kotko" as a representative example of Socialist Realism. M.A., McGill University (Canada), 1993, 84 p. AAT MM87526.
  29. Nimturn N.B. An Integral Approach to the Music of Sergey Prokofiev using Tonal and Set Theoretic Analytical Technique (diss., Yale U., 1988).
  30. Pae S.A. Gliere, Myaskovsky, Prokofiev, Shebalin, Kabalevsky, and Denisov: Twentieth–century composers in a time of upheaval D.M.A., University of Maryland College Park, 2001, 92. AAT 3026958.
  31. Park  J. A performer's perspective: A performance history and analysis of Sergei Prokofiev's "Ten Piano Pieces", Op. 12.  D.M.A., Boston University, 2009, 111. AAT 3345674.
  32. Pierce J. M. Influence versus innovation: A study on the influence of selected composers on "Jupiter's Moons" and "Wizards: Three Magic Masters" by Judith Lang Zaimont. D.M.A., Arizona State University, 2009, 179 p. AAT 3391986.
  33. Press St.  Prokofiev's ballets for Diaghilev.  Ph.D., The University of  North Carolina at Chapel Hill, 1998, 357 p. AAT 9902504
  34. Rifkin D. A. Tonal coherence in Prokofiev's music: A study of the interrelationships of structure, motives, and design. Ph.D., The University of Rochester, Eastman School of Music, 2000, 144 p. AAT 9965305.
  35. Rietz M. J. An analytical study of Prokofiev's "Sonata", Opus 119, for violoncello and piano. M.M., University of North Texas, 1972, 105 p. AAT 1403037.
  36. Robinson H. Selected Letters of Prokofiev. Northeastern University Press, Boston, MA, 1998.
  37. Robinson H. The operas of sergei Prokofiev and their russian literary sources. Ph.D., University of California, Berkeley, 1980, 428 p. AAT 8029561.
  38. Schwartz–Bishir R. Musique dansante and the art of ballet. Ph.D., University of Michigan, 2008, 218 p. AAT 3328948.
  39. Shapovalov D. V. Russian solo song in the Silver Age, 1890—1917. Ph.D., Cornell University, 2005, 289 p. AAT 3173375.
  40. Shin Ji–Youn. A comparative study of sonatinas for piano by Maurice Ravel and Serge Prokofiev. D.M.A., Boston University, 2009, 123 p. AAT 3357782.
  41. Sicsic H.–P. Structural, dramatic and stylistic relationships in Prokofiev's Sonatas no. 7 and no. 8. D.M.A., Rice University, 1993, 124 p. AAT 9408666.
  42. Stephenson K.D. The Tonal Style of Sergei Prokofiev's Romeo and Juliet. Ph.D., Theory, University of Iowa, 1989. xvi, 230 p. tbls., mus. exs., append., bibliog.
  43. Thibodeau M. J. An analysis of selected piano works by Sergey Prokofiev using the theories of B. L. Yavorsky. Ph.D., The Florida State University, 1993, 287 p. AAT 9318528.
  44. Tsai, Chia–hu.i. Sonata form innovations in Prokofiev's nine piano sonatas.
    D.M.A., University of Cincinnati, 2003, 96 p. AAT 3103504.
  45. Ungar G. W. Prokofiev's piano sonata No. 6, Op. 82: A motivic analysis and performance practice study. D.M.A., University of Houston, 1996, 117 p. AAT 9639817.
  46. Vlahcevic, Sonia Klose. Thematic-Tonal Organization in the Late Piano Sonatas of Sergei Prokofiev. Ph.D., The Catholic University of America, 1975, 251 pages; AAT 7521272
  47. Westfall D. Three one–movement sonatas of the Russian Silver Age: A comparative study. D.M.A., University of Hartford, 2008, 119 p. AAT 3308696.
  48. Wilson D. Prokofiev's "Romeo and Juliet": History of a compromise. Ph.D., The Ohio State University, 2003, 222 p. AAT 3124414.
  49. Zhu Di. Prokofiev's piano transcriptions: A comparative study of his transcribing techniques. D.M.A., University of Cincinnati, 2006, 69 p. AAT 3231114.
  50. Zimmerman D. J. Families without clusters in the early works of Sergei Prokofiev. Ph.D., The University of Chicago, 2002, 240 p. AAT 3060287.